The Abominable Snowman

6.224
Date

1957-08-26

Country

GB

Runtime

1.42h

Genre

Adventure

Overview

A kindly English botanist and a gruff American promoter lead an expedition to the Himalayas in search of the legendary Yeti.

Cast

Forrest Tucker
Tom Friend
Peter Cushing
Dr. John Rollason
Arnold Marlé
Lhama
Maureen Connell
Helen Rollason
Richard Wattis
Dr. Peter Fox

Review

By John Chard

The Abominable Snowman

Tom Friend is about to embark on a life changing expedition, his aim? To find the fabled creature known as the Yeti, or Abominable Snowman. Joining him on the trip is botanist John Rollason, whose scientific interest is totally at odds with Friend and his trapper companion, Ed Shelley. As the expedition moves deeper into the Himalayas, bad luck and differences of opinions dog the party, and as the confrontations draw closer it becomes apparent that the Yeti is not a dumb animal to be killed or captured.

Adapted by Nigel Kneale from his own BBC play, "The Creature", The Abominable Snowman is one of the finest early offerings from Hammer Studios. The long running (to this day) stories of a giant beast living up in the Himalayas is of course interesting stuff, much like Nesse up in her Loch, it seems their worth will never ever fade. Thankfully there is a ream of intelligence in this picture, forgoing out and out shocks in the name of horror, director Val Guest has treated Kneale's story with the utmost respect. This is more of a character story as regards men with different ideals on a supposed legend, we barely see the creature until the wonderful last quarter, we don't need to because there are other creatures on this expedition, it's very adroit and accomplished in its telling.

The cast do not let the material down, Hammer stalwart Peter Cushing takes the role of Rollason, Forrest Tucker ("Sands Of Iwo Jima") is Friend, Robert Brown ("The Masque of the Red Death") is Shelley and Maureen Connell is wonderful down in the village as Rollason's fraught wife, Helen. Now in this day and age we can get good digital transfers of old black and white classics, and here the Regalscope Widescreen brilliantly captures the snowy landscapes, firmly enhanced by Arthur Grant's gorgeous monochrome photography. So what you waiting for? The technical side is great, the story is of course excellent, all that remains to say is that the ending is perfect and seals the deal.

A British treasure. 8/10


By Peter89Spencer

This was entertaining to watch, especially it being the first Hammer Horror filmed in black and white.

An adventurous expedition turns into a fight for survival, with a horrifying discovery. It's similar to The Thing and Mountains of Madness, but the difference being it is less gruesome than the other two.


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